2020
In Conversation with David Campany, Text from The Meeting
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The Washington Post, Text by Kenneth Dickermann
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2019
BBC News Night. Interview by Brenda Emmanus
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The Meeting - Steidl
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2017
Pan & The Dream - The Emperor's New Clothes
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Los Angeles Review of Books Interview by Michael Kurcfeld
Film
Photo Works
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2016
It's Nice That: Nadav Kander Artist Talk
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Professional Photography, Text by Kathrine Anker
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American SuburbX, Text by Brad Feuerhelm
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2015
Christies: Artist Nadav Kander Studio Visit
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Dust Artist Interview, Flowers Gallery , London
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It's Nice That. Text by Rob Alderson
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2014
The Strait Times, Text by Deepika Shetty
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Dust Interview, Studio International
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Dust Review - haunting and painterly. Text by Sean O'Hagan
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Dust, Flowers Gallery, London
Film
2013
The Guardian, Text by Jonathan Jones
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2012
Nadav Kander Interviewed by William Avedon
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Road to 2012: Aiming High, National Portrait Gallery, London
Film
2011
The Observer Magazine, Text by Sandy Nairne
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A Conversation with Nadav Kander by Jorg Colberg
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2010
The Guardian, Text by Sean O'Hagan
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Color Magazine, Text by Helmut Werb
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Portfolio Magazine, Text by Simon Baker
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Yangtze, The Long River Interview by Lens Culture
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2009
Hot Shoe, Interview by Bill Kouwenhoven
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Prix Pictet Announcement
Film
Nadav Kander in collaboration with the Royal College of Art
Film
2008
The Financial Times, Text by Francis Hodgson
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2007
Miedzy Nami Magazine, Interview By Jakub Mielnik
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The Meeting - Steidl

Regardless of his sitter—whether family member or influential celebrity—Nadav Kander’s portraiture shows what makes that particular individual human. His aim is to move beyond capturing an accurate likeness—to access the emotions within, the uncertainty, the shadow as much as the light, the complex sense of self that otherwise lays hidden. “Revealed and concealed, beauty and destruction, ease and disease, shame and shameless,” explains Kander, “These paradoxes are essential to all my work and represent what is common to all my varied subject matter…” This collection, the first book dedicated his portraiture, shows the range and nuance of Kander’s work.

With his minimal and intuitive approach, Kander shows his interest in universal experience, which transcends the specificity of public persona or status. His enigmatic depictions of actors, artists, musicians, authors, sports icons and political leaders—from Barack Obama, John le Carré, Alexander McQueen, to Tracey Emin, Robert Plant and Prince Charles—are layered and penetrating, revealing unexpected moments of reverie and vulnerability.

Nadav Kander's book 'The Meeting' is available here: https://steidl.de/Buecher/The-Meeting...